Chapter 1: 5-11

Revision as of 19:27, 22 March 2007 by Mlaundro (Talk | contribs) (Page 7)

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Latitudes and Departures
Portmanteau of 'latitudes and longitudes' with 'arrivals and departures'.

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Snow-Balls have flown their Arcs p. 5
In GR, the arc - or the parabola - always had a sinister implication. In the title alone, the "Rainbow" of "Gravity" is the trajectory of a rocket. An arc is the precursor to utter destruction. In M&D, Pynchon's first image is again the image of a projectile, flying in a parabolic trajectory -- only this time, it is a snowball thrown by a child. This sets the tone of the whole novel - right here in the first sentence.

[capitalization]
No discernible pattern? Caps seem accented to be stressed as in reading poetry?

Uncapitalised nouns in the first paragraph include: shoes, slaps, afternoon, raer, years, table, side-benches, branch, family.

Capitalised abstract nouns include: Arcs, Sides, Descent, Dither, Fly.

mis-matche'd side-benches....Lancaster County"
Lancaster County is one place where wood craftsmen like the Shakers and the Amish settled. Suggests handmade individual pieces?

Wand'ring Heart...end of itp. 6
Thematic? One can not 'get to the end'of the Wand'ring Heart grain? Lovely internal metaphor if it is.

a sinister and wonderful Card Table[...][which has a grain called] Wand’ring Heart, causing an illusion of Depth into which for years children have gaz’d as into the illustrated Pages of Books.
Obviously, with this simile, Pynchon links the table to books. This invites the reader to see the entire description of the table as an example of the common postmodernist technique of mise-en-abyme, (literally, “placing into infinity”). Basically, a writer uses this technique to summarise or encapsulate a theme or aim of the entire novel. Thus, in this instance, the reader is invited to see Mason & Dixon itself as possessing “an illusion of Depth […] with so many hinges, sliding Mortises, hidden catches, and secret compartments that neither the twins nor their Sister [nor the reader] can say they have been to the end of it.” That it is specifically a card table suggests the ludic or playful quality so often recognised in Pynchon’s fiction. The text of Mason and Dixon itself, perhaps, is a table upon which the reader plays.

Wand'ring Heart grain [of wood]
evidently a real name for a wood veneer.
veneer which is when you doing a rotating peeling cut around a log and then press or steam so it's flat and you can work with it. Examples

Also called Wild Heart.
...is North America's largest manufacturer of hardwood plywood, veneer, and flooring. ... Wild Heart, etc. here is a link about wandring heart.

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Christmastide of 1786 sometime between 12/25 and 1/6. However since the year is mentioned, it is probably betwen Christmas and New Years Eve.

City today might be an Isle upon an Ocean
Cf. the Earth in ATD: World-Island.

and the Nation bickering itself into fragments
America then was, politically, a "Nation" of states, each with their own laws, agendas and even currency. In the following year, 1787, a "national" convention was called for. That convention was gathered merely to revise the earlier Articles of Confederation but chose instead to abandon the articles in favor of a completely new document. The Constitution, of course. On September 17, 1787, the Constitution was finished in Philadelphia and Benjamin Franklin urged unanimous acceptance by all the states. See wikipedia, various.

"Mischianza"
EB11-Philadelphia history

Nerve-Lines
1. A line or place at which two things are joined. 2. Anatomy- a. A tract of nerve fibers passing from one side to the other of the spinal cord or brain. b. The point or surface where two parts, such as the eyelids, lips, or cardiac valves, join or form a connection. 3. Botany- The surface or place along which two structures, such as carpels, are joined. Also "commissure". American Heritage Dictionary

Northern Liberties
located north of Center City (specifically, Old City) and is bordered by Girard Avenue to the north and the Delaware River to the east. The district first gained limited autonomy from the township by an Act of Assembly on March 9, 1771. The Act provided for the appointment of persons to regulate streets, direction of buildings, etc. By March 30, 1791 a second Act enabled the inhabitants of a portion of the Northern Liberties to lay taxes for the purpose of lighting, watching and establishing pumps within those bounds. Wikipedia, excerpted.

Spring Garden
Spring Garden District is a defunct district that was located in Philadelphia County, Pennsylvania. The district ceased to exist and was incorporated into the City of Philadelphia following the passage of the Act of Consolidation, 1854. Spring Garden appears in Varie’s map of 1796 as a small settlement between Vine Street and Buttonwood Lane. Wikipedia.

Germantown
Germantown was originally the Borough of Germantown, a town in Philadelphia County, Pennsylvania and is today a neighborhood in Philadelphia, about six miles northwest from the center of the city. The neighborhood has been fully built up as a part of an urban city, but is rich in historic sites and buildings that have been preserved. Many of these are open to the public. Germantown stretches for about two miles along Germantown Avenue northwest "though there is no universally recognized exact boundary". ! wikipedia.


Distance to a Star
Not until 1838.
Not true, Lalande got a pretty good figure off of the Transit of Venus data from 1761 and 1769, with a figure of 153 million kilometres(±1 million km) Which is only 2.27% off of the correct value of 149,597,870,691 ± 30 metres

Transit of Venus Astronomical Unit

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Boppo
Not in OED.
"A very deep love. Enduring and never ending." From the online Urban Dictionary, 2005. Does not seem correct in context.


Winter's Block and Blade
A Winter's Block seems to be a building for storing grain in the winter. Blade might refer to the front of a plowshare--a coulter.
Implication seems to be the juvenile will have no farming to do if turned out.

An Herodotic Web of Adventures and Curiosities selected
The density and web-like nature of Herodotus’s The Histories closely resembles Pynchon’s Mason & Dixon. Herodotus lived in a time of transition, and would have composed his history before Socrates, Plato and Aristotle interrogated commonplace assumptions about the world and asserted their own unifying (and totalising) philosophies. His status as pre-Socratic perhaps mirrors Pynchon’s own as post-Enlightenment. Herodotus's method is to present numerous truths which, according to J. Evans, would probably have been composed from memory (Herodotus. 17). This led to him being demonised in the ancient (and, following their example, modern) world as being a greater writer of fiction than non-fiction, first implicitly (though transparently) by Thucydides in The Peloponnesian Wars, and second explicitly (though clumsily) by Plutarch in The Malice of Herodotus.

Plurality, multiplicity, heterogeneity are epithets commonly applied to both Pynchon and Herodotus. Herodotus also mirrors Pynchon in his use of the fantastic. As mentioned above, his fabulist anecdotes, such as the "great ants, in size somewhat less than dogs, but bigger than foxes" that dig gold and eat camels (Herodotus 3. 102-4), have led to Herodotus being branded the father of lies rather than the father of history, the label given to him by Cicero. A more rigorous reading of the two texts side by side will undoubtedly uncover greater and deeper associations.

Tenebrae
Darkness (Latin). It also refers to a Christian church ritual commemorating Christ’s death. It begins with light and ends in total darkness – perhaps like the novel? It is certainly reminiscent of theories of entropy, prominent in The Crying of Lot 49, and used so often by critics to elucidate Pynchon's novels. In some versions of the service, the Church is gradually stripped of icons, ending in total plainness.

size and difficulty
Cf "Lot 49"?

“A piece whose size and difficulty are already subjects of Discussion in the House.”
Needlework is also use self-referentially in The Crying of Lot 49.

Jabot
pix

Darby and Cope
This is the actually name of the Mason and Dixon's "chainmen" on the expedition.
Darby is a character name repeated in Against the Day.

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Secret Relation
His journal? (relation = narrative or account def)

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The crime of "Anonymity"...Gaol...Exile
With this description of the Revs Crime of exposing power with the intention of being anonymous and seeking exile as a way of avoiding prison, there is an implication that Cherrycoke's voice is Pynchon himself.

It also a very Foucauldian statement. In "What is an Author," Foucault points out that “In our culture […] discourse was not originally a product, a thing […] it was essentially an act.” Literary texts used to be valorised without there being any question of an author; rather, in the middle ages it was the medical texts that were given the status of authorship. This state of affairs was reversed around the 17th-18th centuries, contemporary to Cherrycoke's supposed misdemeanours, which perhaps helps us explain Pynchon's inclusion of the story here.

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my name had never been my own
Bestowed by 'Authorities', there is the implication in the following lines that one is "owned"---like a collar around one's neck---by those authorities.

entire loss of Self, perfect union with All
Satirizing certain Eastern religious beliefs? Or embracing them?

Captain (John) Smith, of The Seahorse
a Captain John Smith wrote An Accidence, or the Path-Way to Experience(1626) and offered elemenatary instruction on seamanship in Sea Grammar (1627) an enlarged version of the first book. Cited in a footnote to The Tempest, Arden edition. A different Captain Smith (Captain Edward John Smith) was at the helm of the RMS Titanic on its only voyage.

Keep away from harmful Substances, in particular Coffee, Tobacco, and Indian Hemp. If you must use the latter, do not inhale.
A clear reference to Bill Clinton's oft-quoted statement that he had tried marijuana in his youth, but "did not inhale."

Annotation Index

One:
Latitudes and Departures

1: 5-11, 2: 12-13, 3: 14-29, 4: 30-41, 5: 42-46, 6: 47-57, 7: 58-76, 8: 77-86, 9: 87-93, 10: 94-104, 11: 105-115, 12: 116-124, 13: 125-145, 14: 146-157, 15: 158-166, 16: 167-174, 17: 175-182, 18: 183-189, 19: 190-198, 20: 199-206, 21: 207-214, 22: 215-227, 23: 228-237, 24: 238-245, 25: 245-253


Two:
America

26: 257-265, 27: 266-274, 28: 275-288, 29: 289-295, 30: 296-301, 31: 302-314, 32: 315-326, 33: 327-340, 34: 341-348, 35: 349-361, 36: 362-370, 37: 371-381, 38: 382-390, 39: 391-398, 40: 399-409, 41: 410-421, 42: 422-435, 43: 436-439, 44: 440-447, 45: 448-451, 46: 452-459, 47: 460-465, 48: 466-475, 49: 476-483, 50: 484-490, 51: 491-498, 52: 499-510, 53: 511-524, 54: 525-541, 55: 542-553, 56: 554-561, 57: 562-569, 58: 570-574, 59: 575-584, 60: 585-596, 61: 597-607, 62: 608-617, 63: 618-622, 64: 623-628, 65: 629-632, 66: 633-645, 67: 646-657, 68: 658-664, 69: 665-677, 70: 678-686, 71: 687-693, 72: 694-705, 73: 706-713

Three:
Last Transit

74: 717-732, 75: 733-743, 76: 744-748, 77: 749-757, 78: 758-773

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