Chapter 56: 554-561

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Field-Journals of Mason and Dixon
See HERE for link to a .pdf of the Journal.

Warrior Path
The Great Indian Warpath (GIW) — also known as the Great Indian War and Trading Path, or the Seneca Trail — was that part of the network of trails in eastern North America developed and used by Native Americans which ran through the Great Appalachian Valley. The system of footpaths (the Warpath branched off in several places onto alternate routes and over time shifted westward in some regions) extended from what is now upper New York state to deep within Georgia. Various Indians traded and made war along the trails, including the Catawba, numerous Algonquian tribes, the Cherokee, and the Iroquois Confederacy. The British traders' name for the route was derived from combining its name among the northeastern Algonquin tribes, "Mishimayagat" or "Great Trail", with that of the Shawnee and Delaware, "Athawominee" or "Path where they go armed". From WIKI

Eleven Missing Days
See page 190.

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Eurydice
See page 147.

Vis centrifuga
Centrifugal force

c.1721, from centrifugal. Used in Mod.L. 1687 by Newton in Principia (vis centrifuga). From OED

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Vorticist
Anachronism and joke: Vorticism was a short lived British art movement of the early 20th century. It is considered to be the only significant British movement of the early 20th century but lasted fewer than three years... Though the style grew out of Cubism, it is more closely related to Futurism in its embrace of dynamism, the machine age and all things modern (cf. Cubo-Futurism). However, Vorticism diverged from Futurism in the way it tried to capture movement in an image. In a Vorticist painting modern life is shown as an array of bold lines and harsh colours drawing the viewer's eye into the centre of the canvas. The name Vorticism was given to the movement by Ezra Pound in 1913, although Lewis, usually seen as the central figure in the movement, had been producing paintings in the same style for a year or so previously. From WIKI

Tempus Incognitus
Unknown Time (as in, Musical Time)

from L. tempus (gen. temporis) "time." Extended to non-musical senses 1898. From OED

Annotations Index

One:
Latitudes and Departures

1: 5-11, 2: 12-13, 3: 14-29, 4: 30-41, 5: 42-46, 6: 47-57, 7: 58-76, 8: 77-86, 9: 87-93, 10: 94-104, 11: 105-115, 12: 116-124, 13: 125-145, 14: 146-157, 15: 158-166, 16: 167-174, 17: 175-182, 18: 183-189, 19: 190-198, 20: 199-206, 21: 207-214, 22: 215-227, 23: 228-237, 24: 238-245, 25: 245-253


Two:
America

26: 257-265, 27: 266-274, 28: 275-288, 29: 289-295, 30: 296-301, 31: 302-314, 32: 315-326, 33: 327-340, 34: 341-348, 35: 349-361, 36: 362-370, 37: 371-381, 38: 382-390, 39: 391-398, 40: 399-409, 41: 410-421, 42: 422-435, 43: 436-439, 44: 440-447, 45: 448-451, 46: 452-459, 47: 460-465, 48: 466-475, 49: 476-483, 50: 484-490, 51: 491-498, 52: 499-510, 53: 511-524, 54: 525-541, 55: 542-553, 56: 554-561, 57: 562-569, 58: 570-574, 59: 575-584, 60: 585-596, 61: 597-607, 62: 608-617, 63: 618-622, 64: 623-628, 65: 629-632, 66: 633-645, 67: 646-657, 68: 658-664, 69: 665-677, 70: 678-686, 71: 687-693, 72: 694-705, 73: 706-713

Three:
Last Transit

74: 717-732, 75: 733-743, 76: 744-748, 77: 749-757, 78: 758-773

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